Have you ever described someone as shallow or superficial? Lacking depth? Most of us offer these unkind character sketches at some point. They’re based on what we see: actions and behaviors. To understand what drives those actions and behaviors, we need to understand a person’s history. In
Read more →Define story in one word. Did you say “character?” Maybe “plot?” Many people do, according to author Larry Brooks. It’s not quite right, though. The essence of story is conflict. With conflict, a force opposes your protagonist’s goal. It stirs dramatic tension and readers’ emotional investment. Without
Read more →When I was working on my debut book, someone told me to write one I wanted to read. That was great advice. I thought back to my early postpartum days, when I longed for a book with perspectives from other moms who had battled postpartum depression. I
Read more →Storytelling is part art, part science. The art is most of it—say seventy-five percent—and the rest, science. We need both to be successful. The science part reminds us of criteria to meet and elements to include if we’re to draw and keep readers. The rest is more
Read more →Author Jerry Jenkins speaks often about the two ways most writers approach the page: with or without a plan. Those without a plan are called “pantsers”—as in, they fly by the seat of their pants. Or, as Stephen King has said, “Try to put interesting characters in
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