Writing Character: Where to Begin?

Define story in one word. Did you say “character?” Maybe “plot?” Many people do, according to author Larry Brooks. It’s not quite right, though. The essence of story is conflict. With conflict, a force opposes your protagonist’s goal. It stirs dramatic tension and readers’ emotional investment. Without

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Friday Fact: On Little House

My daughter and her class are reading Little House in the Big Woods, the classic by Laura Ingalls Wilder. It’s the first in a beloved series based on Wilder’s life. With my kids’ school moving online this month amid the pandemic, I’ve been a teacher by proxy.

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Monday Quote: On Inspiration

Fine art inspires me. If my brain ever feels hollowed out—as it sometimes does in the thick of motherhood—I spend an afternoon strolling the galleries of Chicago’s Art Institute. Without fail, it offers me a new window into a story I’m mulling, writing, or editing. Many of

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Monday Quote: On Writing Books

When I was working on my debut book, someone told me to write one I wanted to read. That was great advice. I thought back to my early postpartum days, when I longed for a book with perspectives from other moms who had battled postpartum depression. I

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Monday Quote: On Remorse

Ernest Hemingway’s personal life was often tortured. While serving as an ambulance driver in World War I, he sustained life-threatening wounds and developed PTSD. He was married four times. His first three marriages turned sour, mostly because of his choices. He wasn’t unaware of his mistakes. In

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Monday Quote: On Errant Apostrophes

This week’s edition of the Monday quote is more of an excerpt from Dreyer’s English: An Utterly Correct Guide to Clarity and Style, by Benjamin Dreyer. Copy chief of Random House, Dreyer is an authority on all things style. His manual is charming, entertaining, and worthy of

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